Tay Tay Speaks Truth to Power, Wins Hearts and Minds of Nation


The Earth’s preeminent pop star is taking a stand for independent artists and labels.

By now you’ve likely heard about Apple Music, Apple’s upcoming music streaming service. The company that revolutionized the music industry with the iPod now hopes to overtake the current crop of online streaming services. An ambitious goal! Apple has a lot of ground to gain on Spotify which currently boasts 60 million users and 15 million subscribers.

Apple has a few advantages over the competitors: A massive number of hardware owners on whom to push their service, the promise of exclusive releases from best-selling artists, and, oh yeah, it’s the richest fucking company in the United States. What Apple Music will not have? Taylor Swift‘s magnum opus 1989.

In an open letter posted to her Tumblr, Taylor cried foul on Apple’s plan to introduce the Apple Music with a free 3-month trial period. Essentially, the company plans to offer the service to the consumer free-of-charge… they just won’t pay any artists for their work during that period. Her statement to the company:

I write this to explain why I’ll be holding back my album, 1989, from the new streaming service, Apple Music. I feel this deserves an explanation because Apple has been and will continue to be one of my best partners in selling music and creating ways for me to connect with my fans. I respect the company and the truly ingenious minds that have created a legacy based on innovation and pushing the right boundaries.

I’m sure you are aware that Apple Music will be offering a free 3 month trial to anyone who signs up for the service. I’m not sure you know that Apple Music will not be paying writers, producers, or artists for those three months. I find it to be shocking, disappointing, and completely unlike this historically progressive and generous company.

This is not about me. Thankfully I am on my fifth album and can support myself, my band, crew, and entire management team by playing live shows. This is about the new artist or band that has just released their first single and will not be paid for its success. This is about the young songwriter who just got his or her first cut and thought that the royalties from that would get them out of debt. This is about the producer who works tirelessly to innovate and create, just like the innovators and creators at Apple are pioneering in their field…but will not get paid for a quarter of a year’s worth of plays on his or her songs.

These are not the complaints of a spoiled, petulant child. These are the echoed sentiments of every artist, writer and producer in my social circles who are afraid to speak up publicly because we admire and respect Apple so much. We simply do not respect this particular call.

I realize that Apple is working towards a goal of paid streaming. I think that is beautiful progress. We know how astronomically successful Apple has been and we know that this incredible company has the money to pay artists, writers and producers for the 3 month trial period… even if it is free for the fans trying it out.

Three months is a long time to go unpaid, and it is unfair to ask anyone to work for nothing. I say this with love, reverence, and admiration for everything else Apple has done. I hope that soon I can join them in the progression towards a streaming model that seems fair to those who create this music. I think this could be the platform that gets it right.

But I say to Apple with all due respect, it’s not too late to change this policy and change the minds of those in the music industry who will be deeply and gravely affected by this. We don’t ask you for free iPhones. Please don’t ask us to provide you with our music for no compensation.

The free-trial is an ancient marketing technique, but the accepted practice is to budget for the company to absorb the cost of the trial. It is unprecedented that Apple, an immensely cash-rich organization, would expect the roster of artists and labels that define the product to eat the costs FOR Apple. Artist exploitation is nothing new, but this seems like a monumental screw job. Tay Tay is exceptionally wealthy, as Swift herself notes, but small artists and labels should be glad that an industry giant is willing to take a stand against free labor.

Will this ensure fair compensation for every hard working band on a miniscule label? Lord no. But as the future of streaming grows more uncertain it would be nice if the artists that make the product worthwhile weren’t completely dismissed.

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